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Showing results for tags 'prog'.
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Band founded by frmr. Soft Machine drummer Robert Wyatt 1 Starting in the Middle Of The Day We Can Drink Our Politics Away 2 Marchides 02:31 3 Man True's Hole 10:55 4 Righteous Rumba 14:32 5 Brandy as in Benge 17:22 6 Gloria Gloom 21:46 7 God Song 29:52 8 Flora Fidgit 32:52 9 Smoke Signal 36:19 https://en.wikipedia.org/wiki/Matching_Mole
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Good Evening (instrumental) Zero and One (spoken word) Excellent Birds Old Hat (spoken word) Drum Dance (instrumental) Smoke Rings Late Show (instrumental with vocal sample by William S. Burroughs) White Lily (spoken word) Sharkey's Day How to Write (instrumental with spoken word introduction by Won-sang Park) Kokoku Radar (instrumental with wordless vocalizations by Anderson) Gravity's Angel Langue d'amour Talk Normal Difficult Listening Hour (spoken word) Language Is a Virus Sharkey's Night Credit Racket (instrumental) https://en.wikipedia.org/wiki/Laurie_Anderson
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Italian Jazz - Rock- Prog. Band ( politically involved) whose Leader was Greek Singer Demetrio Stratos , extraordinary Vocalist (RIP). Had the privilege to see them twice in concert. One time with Demetrio in 1975 ( he passed away in 1979 due to sclerosis) and then another time without him. Band was really good and Stratos performance and singing absolutely unique. He did indeed have a special gift. In 1977 or 78 he won first prize at the Contemporary Music Festival in NYC. He presented a voice-only tune from his solo voice album "Metrodora". Audience tributed him a standing ovation 10 mins. long ( at least so reported the chronicles of the time). Sung in Greek. Translation ( partial) . Ancient Greek Poem. Open my lips, April sweetly so that I can sing Open heart Comet Close the Poets' mouth Comet close the mouth and go away Open eyes to Freedom
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1. A Rainbow in Curved Air - 2. Poppy Nogood and the Phantom Band - https://en.wikipedia.org/wiki/Terry_Riley
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From "Islands" Weird video btw
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https://www.youtube.com/watch?v=VYQ-Al7ijk4 Let X = X Born, Never Asked Home Of The Brave ( full) https://www.youtube.com/watch?v=osHBA6YAHAo
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From "Sulle Corde Di Aries" ( On The Chords Of Aries) https://www.youtube.com/watch?v=DPwtJ604F3o https://en.wikipedia.org/wiki/Franco_Battiato Translation The teacher in the summer gave us reps in her backyard. I would always sit on a little a wall watching the sea. Every now and then a ship would pass. Every now and then a ship would pass. And the winter evenings I would remain locked up at home and just rot away. Outside the thunder noise would shrink my candle. then In the morning, suddenly the crisp weather would bring a soil scent
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From "Telegram" https://en.wikipedia.org/wiki/Bj%C3%B6rk
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From "Telegram" https://en.wikipedia.org/wiki/Bj%C3%B6rk Hyperballad ( w Brodsky Quartet) Enjoy I Miss You
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http://en.wikipedia.org/wiki/Church_of_Anthrax
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01) Zarathustra a) L'ultimo uomo (0:00) Il Re di ieri (3:51) c) Al di là del bene e del male (8:39) d) Superuomo (11:20) e) Il tempio delle clessidre (17:52) 2) Degli uomini (20:46) 3) Della natura (24:51) 4) Dell'eterno ritorno (33:20) http://en.wikipedia.org/wiki/Museo_Rosenbach Zarathustra Museo Rosenbach Rock Progressivo Italiano Review by Mr. Mustard While not their only album, Museo Rosenbach's Zarathustra is by far their best, and certainly one of, if not the best RPI offering. The album takes the best of the Italian genre and mushes it into what could only be described as a flawless album from beginning to end. The energy and intensity is at an undeniable high, but is balanced by more atmospheric and melodic moments to give this a very diverse feel.As mentioned, the basic style of this album is rooted in the intensity of Banco, the melody of PFM, and the prevalent keyboard work of Le Orme. The admirable thing then perhaps is their ability to sound completely unique despite carrying this combination. Musically, the album is filled to the brim with energy and intensity. Ideas are mostly upbeat and flow from one to the next in rapid succession. Despite this, there is no shortage of theme development, leaving the listener engaged, yet allowing the album to become cohesive. This is something I believe only a few bands achieve, and is probably the strongest point of the album. It is a bit harder to talk on a song to song basis, as each song offers something unique to the album such that a single one doesn't truly stand out. It is for this reason why I believe this is one of the more consistent listens from beginning to end. However, I believe one would need only listen to the beautiful main theme in 'Il tempio delle clessidre' or the crushing opening riff and organ work of 'Degli Uomini' to have a good understanding of the album. This is without a doubt a masterpiece. Exciting, engaging, creative; the vocals are superb and the production leaves plenty of breathing room. This is as flawless an album as I can think of. 10/10
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http://en.wikipedia.org/wiki/Church_of_Anthrax The Hall Of Mirrors At The Palace At Versailles https://www.youtube.com/watch?v=pbYqDMvcjQw Ides Of March Terry Riley - Persian Surgery Dervishes
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From "Telegram" http://en.wikipedia.org/wiki/Bj%C3%B6rk Hyperballad ( with the Brodsky Quartet) . Awesome imo. Enjoy My Spine
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http://en.wikipedia.org/wiki/Church_of_Anthrax John Cale – keyboards, bass guitar, harpsichord, piano, guitar, viola, organ Terry Riley – piano, organ, soprano saxophone Adam Miller – vocals on "The Soul of Patrick Lee" Bobby Colomby – drums Bobby Gregg – drums Ides Of March The Hall Of Mirrors In The Palace At Versailles https://www.youtube.com/watch?v=pbYqDMvcjQw