RV ME

That is true leading up to and coming out of the eclipse. However, during totality eye protection is not needed. Looking directly at the sun is unsafe except during the brief total phase of a solar eclipse (“totality”), when the moon entirely blocks the sun’s bright face, which will happen only within the narrow path of totality. https://eclipse2017.nasa.gov/safety

Coming form an Obummer supporter like yourself, that made my day. Keep the blinders on BA, lest you recognize the hatred that oozes from most of your posts.

Not really a surprise, but sad news none the less. Thanks for the memories Glen, you will be missed. RIP Glen Campbell Dead At 81 Glen Travis Campbell brought country music to new audiences. He found success as a session musician before embarking on a solo career that included smashes “Gentle On My Mind,” “Galveston,” “Wichita Lineman” and “Rhinestone Cowboy” and that landed him in the Country Music Hall of Fame. On Tuesday, his family released the following statement: "It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer's disease." "Had Glen Campbell 'only' played guitar and never voiced a note, he would have spent a lifetime as one of America’s most consequential recording musicians," Kyle Young, CEO of the Country Music Hall of Fame and Museum, said in a statement. "Had he never played guitar and 'only' sung, his voice would rank with American music’s most riveting, expressive, and enduring. He left indelible marks as a musician, a singer, and an entertainer, and he bravely shared his incalculable talent with adoring audiences even as he fought a cruel and dreaded disease. To all of us who heard and loved his soulful music, he was a delight." Campbell was born on April 22, 1936, in Delight, Ark., the seventh son in a farming family. "I spent the early parts of my life looking at the north end of a southbound mule and it didn't take long to figure out that a guitar was a lot lighter than a plow handle," he said in a late 1970s press bio. Each member of Campbell's family played guitar, and he received a $5 Sears & Roebuck guitar when he was 4 years old. By 6, he was a prodigy, internalizing music that ranged from simple country to sophisticated jazz. As a teenager, he dropped out of school in the 10th grade, left Arkansas and played in a New Mexico-based band led by his uncle, **** Bills. He also married first wife, Diane Kirk, though that marriage lasted less than three years. While playing an Albuquerque club called the Hitching Post, Campbell met Billie Nunley, who soon became his second wife. The newlyweds left for California in 1960, riding to Los Angeles in a 1957 Chevrolet with $300 and a small trailer full of meager belongings. Campbell found work playing in rock groups including The Champs, a band that included Jim Seals and Dash Crofts, who would later become the hit-making duo Seals & Crofts. Campbell's guitar acumen and versatility made him an essential player on Los Angeles' thriving recording scene in the 1960s as part of the loose-knit session musician collective the Wrecking Crew, and he contributed to sessions for Frank Sinatra, Dean Martin, Rick Nelson, The Mamas and the Papas, Merle Haggard and many more. Campbell couldn’t read music, but he quickly became a respected, first-call player. He played on Elvis Presley’s “Viva Las Vegas,” The Monkees’ “I'm a Believer,” Sinatra’s “Strangers in the Night” and more. He played 12-string guitar on the Beach Boys’ “Sloop John B.,” and toured with the Beach Boys in 1965, as a replacement for the band’s troubled and reclusive leader, Brian Wilson. After recording a minor hit in 1961 with "Turn Around — Look at Me" for small, independent Crest Records, Campbell signed with Capitol Records, releasing "Big Bluegrass Special" by "The Green River Boys Featuring Glen Campbell" in late 1962. His early albums received little in the way of attention or acclaim, but he broke into the mainstream in 1967, at first with the top 20 country hit “Burning Bridges” but most notably with a nimble version of his friend John Hartford's drifter's masterpiece, "Gentle On My Mind." “I still might run in silence, tears of joy might stain my face and the summer sun might burn me ‘til I’m blind,” Campbell sang, in a smooth, clear voice, with twang-less diction a broadcaster would envy. “But not to where I cannot see you walkin’ on the backroads, by the rivers flowing gentle on my mind.” "Gentle On My Mind" did not ascend to the top of the Billboard country charts, but it was performing rights organization BMI's most-played song of 1969 and 1970. In 1999, BMI ranked “Gentle” as the second most played country song of the century, and the 16th most played song of the century in any genre. Campbell’s affable stage presence and camera-ready looks made him a natural for television. "Someday, in the very near future, this talented young man is going to have his own television show," said comedian Joey Bishop in 1967, introducing Campbell on a late night variety show. Tommy Smothers of musical comedy act the Smothers Brothers watched and listened with interest. He also watched as Campbell’s follow-up to “Gentle,” the Jimmy Webb-penned “By the Time I Get to Phoenix,” reached No. 2 on the Billboard country chart and No. 26 on the all-genre chart. In early 1968, Campbell won two Grammy Awards for his recording of “Gentle On My Mind” and two more for “By the Time I Get to Phoenix,” and the Smothers Brothers announced that Campbell would host his own television show, nationally televised on CBS. Campbell’s show began as “The Summer Brothers Smothers Show,” a summer replacement for the Smothers Brothers, and it ran as a weekly variety show from January 1969 through June 1972. Each week, Campbell would sing the opening lines of “Gentle On My Mind” and then announce to viewers that they were watching “The Glen Campbell Goodtime Hour.” “I had albums before that, but once the TV show started everything really took off,” Campbell told The Tennessean in 2005. “I used that show to get every country act I could onto television.” “The Glen Campbell Goodtime Hour” featured much more than country. He performed Bob Dylan’s “Blowin’ in the Wind” with Stevie Wonder and “Squares Make the World Go ‘Round” with the Smothers Brothers and Nancy Sinatra. He brought on teen favorites The Monkees (in earlier years, he’d played guitar on Monkees recording sessions) and west coast country-rock singer Linda Ronstadt. He stood and snapped his fingers like Sinatra and did a hip-shaking Presley impersonation. Still, he made his country roots clear both on and off camera, helping himself to major country chart successes in 1968 with “I Wanna Live” (his first No. 1), “Dreams of the Everyday Housewife” (a No. 3 Billboard country hit), and his first crossover smash, “Wichita Lineman,” which topped country and adult contemporary charts and landed at No. 3 on the pop charts. Producer Al De Lory’s sophisticated arrangements complemented a soaring voice, and Campbell was at the forefront of a modern country movement. “The change that has come over country music lately is simple,” he told TV Guide in 1969. “They’re not shuckin’ it right off the cob any more. ... I think the public is getting tired of all that crazy acid rock and wants to get back to good melodies. Country music has more impact now, because it’s earthy material — stories of things that happen to everyday people. I call it ‘People Music.’ ” In the late 1960s, the “People Music” business was booming. Campbell won Country Music Association awards for best entertainer and male vocalist, two Academy of Country Music awards for best album and two more for male vocalist, and five Grammy trophies. In 1969, buoyed by another Jimmy Webb-written gem, the soldier’s lament “Galveston” (a No. 1 country and adult contemporary hit), Campbell out-sold The Beatles. "Not since Elvis Presley's ascendancy more than a decade ago has a young soloist come along to capture the mass audience with such effectiveness as Glen Campbell," wrote Vernon Scott of United Press International. Campbell’s manager, Nick Sevano, arranged for the singer to act in movies including “True Grit” with John Wayne and “Norwood” with Kim Darby and Joe Namath, but Sevano combatted the Presley comparisons. “I don’t think he’s a new Elvis,” Sevano told TV Guide. “I think Glen has a broader audience than Elvis.” Four of Campbell’s singles reached country music’s top 10 in 1970, but his sales domination began to subside in the new decade. CBS canceled his show in 1972, and his marriage to Billie was in trouble. Campbell developed an over-fondness for Glenlivet scotch, and his dedication to touring and performing came at the expense of his recordings. But in 1975, after more than six years without a No. 1 hit, Campbell staged a comeback with “Rhinestone Cowboy.” Written by Larry Weiss, “Rhinestone Cowboy” topped country and pop charts and re-established Campbell as a hit-making, seat-filling force. “I really just rode on the crest of that, to forget everything that was happening to Glen Campbell, personally,” Campbell told VH1’s “Behind the Music.” “Rhinestone Cowboy” was a major anthem in the summer of 1975. In early fall, Billie Jean Campbell filed a divorce suit. By then, Campbell had, he would later reveal, begun using cocaine. That year, he also began dating Sarah Barg, the estranged wife of his friend and fellow performer Mac Davis. He and Barg married in 1976, but Campbell’s cocaine use continued to escalate and the relationship suffered for that and other reasons. “We were drinking and cocaining, and nothing lasts when you’re doing that,” he told VH1. Campbell returned to the top of the charts in 1977 with “Southern Nights,” his final No. 1 hit. His behavior, though, was increasingly erratic. Campbell and Barg divorced in 1980, the same year he began dating powerhouse singer Tanya Tucker. She was 21; he was 44. The couple announced an engagement in late 1980, but the relationship ended, angrily, in early 1981. Campbell spent much of that year completely out of control, but a near-overdose in Las Vegas and a new relationship with a Radio City Music Hall Rockette named Kim Woolen helped spur newfound faith and a change of direction. “I accepted Jesus Christ on December the 21st, 1981,” he told The Tennessean. “I’m singin’ a new song.” Campbell married Woolen in October 1982, and she would be a sustaining influence for the rest of his life. He dropped cocaine and eventually halted his drinking, and he reached country music’s top 10 with 1984’s “Faithless Love” and “A Lady Like You,” 1985’s “(Love Always) Letter To Home” and “It’s Just a Matter of Time,” 1987’s “The Hand That Rocks the Cradle” (with Steve Wariner) and “Still Within the Sound Of My Voice,” 1988’s “I Have You” and 1989’s “She’s Gone, Gone, Gone.” He also aided Alan Jackson’s ascent to country music stardom, suggesting Jackson move to Nashville and helping him to become a staff songwriter at his Glen Campbell Music publishing company. The 1990s held no hits for Campbell, but he performed often, opening the Glen Campbell Goodtime Theatre in Branson, Mo., in 1994 and starring there for three seasons. In 2003, he was arrested near his Phoenix home on drunken driving, hit-and-run and assault charges. He later pleaded guilty to extreme DUI, apologized to fans and entered a care facility. He was inducted into the Country Music Hall of Fame in 2005, by which point he was already showing signs of dementia, seeming shaky in interviews though he clearly understood and appreciated the honor. “You can have ‘male vocalist’ and all that stuff,” he told The Tennessean. “I’ll take the Hall of Fame. It’s the highest honor you can have in country music, and this makes me feel so good.” Capitol Records released Campbell’s 60th studio album, the critically acclaimed “Meet Glen Campbell,” in 2008, with Campbell covering songs written by rock royalty including U2, Lou Reed, Tom Petty and Dave Grohl. “Meet Glen Campbell” provided music fans a reintroduction to Campbell’s musicality, with his still-strong voice and still-potent guitar. In 2011, Campbell and his wife announced that he was suffering from Alzheimer’s disease but that he would release a new album and go on a “Goodbye Tour” while he could still perform. The album, titled "Ghost on the Canvas" and released on Surfdog Records, was praised by Will Hermes of Rolling Stone as “baroquely arranged drama that echoes his string-swelled Seventies hits. .... Dude’s definitely not going out softly.” “Glen is a hero of mine because he never stopped making music,” said smooth-voiced country artist and top-notch guitarist Charlie Worsham, who cited “Ghost on the Canvas” as one of his favorite Campbell records. “I am inspired by his body of work with the Wrecking Crew and by his legacy of recording truly great songs. He was the kind of artist we all hope to be.” Campbell played his final Nashville show in early January 2012, performing at the Ryman Aditorium with a band that included three of his children. He opened with “Gentle On My Mind,” played many of his hits and thrilled an audience that included Tucker, Grand Ole Opry stars Jeannie Seely and Ricky Skaggs and fellow Country Music Hall of Famer Ralph Emery. “Campbell remained in fine voice and proved to still be a staggeringly sharp and fluid guitarist, wowing the crowd early on with an explosive solo on ‘Gentle’ and muscular melodic licks on his classic ‘Galveston,’ ” wrote Dave Paulson of The Tennessean. He read lyrics from a teleprompter that night, but imbued each song with significant feeling. “An encore in the tightly scripted show wasn’t a sure thing,” Paulson wrote. “But Campbell returned to the room’s delight for ‘In My Arms’ — another affirming cut from ‘Canvas’ — before taking bows with his band and giving his crowd a last — and clearly loving — wave goodbye.” At the Grammy Awards in February 2012, The Band Perry performed “Gentle On My Mind” and Blake Shelton sang “Southern Nights” before Campbell took the stage to sing “Rhinestone Cowboy,” with Paul McCartney pumping his fist from the audience in approval. Campbell played his final show Nov. 30, 2012, in Napa, Calif. Early in 2014, he showed up at the venerable Station Inn to watch daughter Ashley Campbell perform with his former bandmate and longtime friend, Carl Jackson. In April 2014, his family confirmed that Campbell was staying in a Middle Tennessee memory-care facility. That month, "I'll Be Me," a documentary about Campbell's final tour, debuted at the Nashville Film Festival. The film's theme, "I'm Not Gonna Miss You," was written by Campbell and director Julian Raymond. It won the Best Country Song Grammy Award and was nominated for an Academy Award. “There’s a lot of sadness, (but) we just continue to try to make the best of every day and keep a sense of humor,” his wife told People magazine. In June, Campbell released his final album, “Adios," which was produced by Carl Jackson. The bittersweet record includes a duet with fellow legend Willie Nelson on “Funny How Time Slips Away.” Vince Gill contributes harmony vocals to “Am I All Alone (Or Is It Only Me).” Ashley Campbell appears on several tracks, including “Postcard from Paris,” which also features sons Cal and Shannon Campbell. Campbell is survived by his wife, Kim Campbell of Nashville; their three children, Cal, Shannon and Ashley; his children from previous marriages, Debby, Kelli, Travis, Kane and Dillon; 10 grandchildren, great- and great-great-grandchildren; sisters Barbara, Sandra and Jane; and brothers John Wallace “Shorty” and Gerald. In lieu of flowers, donations can be made to the Glen Campbell Memorial Fund at BrightFocus Foundation through careliving.org/glen-campbell-memorial-donation/.

I’m not sure about your conclusion George, I think you are projecting. Pretty sure with Shabs, it is what it is and it won’t get any better.

The swamp strikes back.

It was political expedience, nothing more nothing less. So is the video of the forensic document experts proving that The One’s submitted birth certificate was a forgery fake news? Or just another inconvenient truth?

That does carry some weight, especially coming from someone who has been duped so well for so long.

You spent 8 years supporting and defending the most un-American President in history. A liar who as far as I can tell only spoke the truth when he said he wanted to fundamentally transform America. If that isn’t un-American I do not know what is. The fact that you, and Shabs for that matter, are gullible enough to believe this fake news is not surprising, since you still believe the previous liar’s “proof” that he was really born in America. If it is really liars you hate, as you now claim, do you hate yahoo news for fueling your hatred with fake news?

Reminds me of the old joke; Been happily married 32 years…….and we will celebrate our 50th anniversary next month.

On the album, they went together like ZZ's Waitin For The Bus / Jesus Just Left......Only this was on purpose.

I think you missed my point. I am trying to understand how you rationalize your professed hatred for liars with your joy in voting for The One. After all, it was a well established fact that “keep your doctor” was a 100% lie by his re-election campaign, but you were able to put that aside and vote for a known and undisputed liar. On second thought, I am not trying to understand your rationalization, I am trying to point out your blatant hypocrisy.

So how long have you had this newfound self-righteousness? Did you vote independent in the previous election? You recently stated you can’t stand liars, yet I am willing to bet you were able to overlook the “Keep your doctor” lie of the century and pull the leaver for The One.

Actually, to get the law passed, and for SCOTUS approval, there was the arbitrary date set of 1/1/13 and anyone not registered by that date going forward had to provide proof of citizenship, those on the roles prior were grandfathered in. Not perfect, I know, but that was what it took to get it passed. As for the actual voting, the State issues the local voting rolls, and a person can only be on the rolls once. I am not against a purple finger, but who actually gets to dip their digit is equally if not more important. I believe we are splitting hairs here. We agree that the registration and the voting both need to be verified. If we combine both of our ideas, proof of citizenship to register, proof of ID to vote, and purple finger proof of voting once, sounds like a plan to me.

No National ID required. Voter ID must start with voter registration and at the State level. SCOTUS upheld my States’ law requiring birth certificate or proof of citizenship when registering to vote. Once the legality of registering has been confirmed, you then need to present a valid ID at the polls in order to vote. Note: Beginning January 1, 2013, any person who is not on the voter registration list in Kansas must submit proof of U.S. citizenship as part of the registration process………. Only after a new application is fully filled out, and turned in with a citizenship document, can the person be added to the voter registration list. http://www.voteks.org/before-you-vote/how-do-i-register.html To paraphrase Forrest' momma, simple is as simple does.

Exactly which districts did Trump gerrymander in your State? In any State? And why do you keep adding an adjective before “voter fraud”? I said a single illegal vote is one too many, especially if it can easily be thwarted. I ask again, how many illegal votes are acceptable to you before you can declare it a problem that needs to be solved?

And on that we do agree…….to disagree, as per usual. I do agree that both gerrymandering and voter fraud do effect elections in their own way, but I am able to separate the two problems in order to work towards a solution to each problem. You on the other hand seem to say that since the we can’t do anything about politicks gerrymandering, then we should ignore voter fraud since it is insignificant (in your opinion). Isn’t that kinda of like saying that since we can’t cure cancer we ignore childhood leukemia since it affects an insignificant portion of the population? Since voting districts are drawn by the various States, gerrymandering is more of a local problem, not federal. One solution to overcome the gerrymandering polyticks would be simple term limits, and maybe voting into office Statesmen instead of con men. Easier said than done, I know, but shown to be possible by the TEA Party Representatives and Senators. Grassroot juggernaut that upset the system and first brought the politicks wrath from both sides after unseating numerous incumbents on either side of the swamp. I know that many of these had no problem convincing themselves that the Washington cesspool was a comfy sauna, but when that happens vote them out too. As for the very real problem of voter fraud, simple solutions would be no early voting (except for military, but we already had that conversation) and voter ID required. Two problems, two solutions. If one is easier to implement than the other, then so be it and get er done and then work on the other. But inaction on one issue while using the other issue as the excuse seems like a very lame excuse to me.

I’m confused. Are you saying voter fraud has never effected an election? Didn’t think, and sure hope you are not that naive.

So the President and I have something (else) in common. My motto; “Never a boy scout but always prepared.”